As autumn turns to winter it’s time for me to summarise what I’ve read and thought about fungi this season. I started off from the current trend for fungal fiction. I found myself asking whether fungi are being used to think about better ways of being, and this made me wonder about the relationship between fungi and utopia. This led me to think about the fungi appearing in contemporary utopian fiction, and to ask what work authors are putting fungi to in their literary utopias. Here’s what I found when exploring these questions.
What’s the crossover between land work and utopia? I feel there is one, although it’s hard to articulate. Isn’t utopia science fiction, set in not-real places with fictional technology? How can that relate to working the land?
Well, increasingly utopian fiction is earthbound, with characters whose physical connection with the earth go beyond our own. Think the orogenes in N. K. Jemisin’s Broken Earth trilogy who manipulate seismic energy, and Vern in Rivers Solomon’s Sorrowland whose fungal “passenger” enables her to communicate through mycelial networks.
Then there is movement the other way, too. I recently visited the We Feed The UK exhibition across the Royal Photographic Society and Martin Parr Foundation galleries at Paintworks in Bristol. This project brought photographers and poets to farms across the UK who are growing agroecologically, eschewing intensive farming methods. Viewing the exhibition, it was clear to me the photographers and poets had seen hope in these places and were conveying this through their work.
What follows is my review of the exhibition, with a focus on the latent utopianism within its celebration of the “custodians of soil and sea”.
A word at the outset of this report to note there will be spoilers for the Broken Earth trilogy by N. K. Jemisin. Also, this report is not comprehensive. Conversely, it is highly subjective and reflects what I personally found exciting and pertinent to my own areas of interest. This means mostly Jemisin, Nisi Shawl and Rivers Solomon, utopia, visionary fiction and decolonisation. As you’re reading the Just Utopias blog you’re hopefully here for this, so let’s crack on.
Waking up to the US election result was depressing for many reasons, but the one I’ll talk about here is the stark contrast between the progressiveness I see in contemporary American utopias and the fact that in reality, more than 75 million Americans voted for Trump.
In The Seep by Chana Porter, utopia has been brought about by means of an alien invasion. What follows in this novella is a loving pastiche of contemporary utopian tropes. The emotional processing, sensitivity to ecological connections, and community-mindedness. Its diversity in terms of race, gender and sexuality. The abolition of money and the police. And the complete mitigation of human-induced climate change.
So I had to abbreviate the title for this one, it’s on the long side. To give it its full due, June’s book of the month is ‘Everything for Everyone: An Oral History of the New York Commune 2052-2072’ by M. E. O’Brien and Eman Abdelhadi.
The thing that took me farthest out of my comfort zone in 2022 was attending the Utopian Studies Society conference. I thought it would be nice to have a few days away to discuss all things utopian but I was wrong. I stretched my elastic too far just to get there. It was my first time travelling on my own and travelling much at all since the pandemic and having a child (both things that have tied me to home over the past few years). Having to then leave my room and attend events was so hard. This is despite my room (in student halls) being unbearably hot and depressing.
Yes, this was another USS conference in a heatwave, like the previous one in Prato, Italy in 2019 where we discussed utopia, dystopia and climate change in 40 degree heat (Celcius, folks). Just the thing to make discussions feel urgent and hopeless at the same time.
My presentation from the The Word for World is Forest symposium is now available online! Find it on YouTube, Apple Podcasts, Spotify, anchor.fm, PlayerFM and more. Wherever you get your podcasts, as they say.
Recently, I stumbled across a cartoon about Thomas More’s Utopia on Existential Comics. More is telling a crowd all the good stuff about Utopia. He’s winning them over with a six hour working day and leaders chosen by the people to rule in their best interests. But he starts losing them when he reveals there’s no boozing and no fancy clothes.
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